Eye-Hand Span is not an Indicator of but a Strategy for Proficient Sight-Reading in Piano Performance
نویسندگان
چکیده
منابع مشابه
The Perceptual Span and the Eye–Hand Span in Sight Reading Music
The perceptual span and eye–hand span of pianists were examined while they played and read single-line melodies (with four beats per measure). The perceptual span was measured by the use of a moving-window technique with four window conditions: two beats, four beats, six beats, or no window. It was found that pianists need to see no more than the whole measure that they are fixating in order to...
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15 صفحه اولThe effects of skill on the eye-hand span during musical sight-reading.
The eye-hand span (EHS) is the separation between eye position and hand position when sight-reading music. It can be measured in two ways: in notes (the number of notes between hand and eye; the 'note index'), or in time (the length of time between fixation and performance; the 'time index'). The EHSs of amateur and professional pianists were compared while they sight-read music. The profession...
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Musical performance involves both complex multitasking and, due to its rhythmic nature, strong interdependence among its various subtasks and temporal perception. We have developed a model of piano playing that integrates timing, playing, and sight-reading and demonstrates the relationship between these concurrent tasks. The model relies on an existing model of temporal perception to keep an ac...
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This study was intended to examine whether differences exist in the motions employed by pianists when they are sightreading versus performing repertoire and to determine whether these differences can be quantified using high-speed motion capture technology. A secondary question of interest was whether or not an improvement in the efficiency of motion could be observed between two sight-reading ...
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ژورنال
عنوان ژورنال: Scientific Reports
سال: 2019
ISSN: 2045-2322
DOI: 10.1038/s41598-019-54364-y